Masala Survival is real: Riteish Deshmukh and Vivek Oberoi keep turning to Masti-type comedies, a pattern that fans and insiders keep debating. Post 1 asks why they stay in Masti-type films, given their wealth, reach, and the pull of staying relevant in a crowded industry [1].
Why they stay relevant — From Post 1, the takeaway is they crave on-screen relevance, and a profitable Masti franchise helps them stay in the headlines, attract offers, and maintain a familiar, crowd-pleasing voice for audiences [1].
Masti 4 wiki chatter — Post 2 flags that Masti 4 exists and fans checked a wiki page, fueling chatter about whether it can live up to Grand Masti and earlier chapters of the franchise [2].
Neil Nitin Mukesh and script choices — Post 3 asks if Neil Nitin Mukesh is harming his career with bad scripts; the thread notes most of his work leans crime thrillers, and it suggests he should explore other genres, citing films like Johnny Gaddar, Andhadhun, and Badlapur in the discussion [3].
Bottom line: genre safety nets and audience hunger seem to sustain a niche for adult-comedy veterans, even as debates about credibility and reinvention rage online. Keep an eye on Masti 4 and whether Neil Nitin Mukesh diversifies next [2][3].
References
Why Do Riteish Deshmukh and Vivek Oberoi Continue to Do Masti-Type Films?
Debate on why wealthy Indian actors Riteish and Vivek Oberoi keep making adult-themed, slapstick Masti films for relevance.
View sourceMasti 4 - Grand Masti Wiki Page
Discusses Masti 4, check wiki success; recalls leaked Grand Masti movie, notes production by Shobha and Ekta Kapoor; mentions joke
View sourceIs Neil Nitin Mukesh a prime example of an actor who fucked his career because of bad script selections?
OP doubts Neil Nitin Mukesh’s career, citing frequent crime thrillers and poor script choices; compares him to Hrithik and others
View source